{"id":21,"date":"2018-03-19T01:09:32","date_gmt":"2018-03-18T17:09:32","guid":{"rendered":"https:\/\/mikecoykendall.com\/site\/?page_id=21"},"modified":"2019-04-25T03:10:52","modified_gmt":"2019-04-24T19:10:52","slug":"studio","status":"publish","type":"page","link":"https:\/\/mikecoykendall.com\/site\/studio\/","title":{"rendered":"Studio"},"content":{"rendered":"

Blue Rooms offers a relaxed and creative sound environment in Portland, Oregon<\/em><\/p>\n

GEAR<\/h3>\n
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\n
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MICROPHONES:Dynamic microphones: I use the he usual SM-57, 58s, SM-7, Sennheiser 421, Beyer M-88, Altec, Sony, lo-fi, etc\u2026<\/p>\n

Condensers: Neumann CMV-563 w\/ M-7 & M-55k capsules. This gets used a bunch. Also have an AKG-414, AT-4033, 4041, 4050, a CAD Equitek E-300. Blue Mouse (2), Geffell M-300 (2), an old AKG 451.<\/p>\n

Ribbon mics: Coles 4038, RCA BK-5, Beyer M-500, Shure SM-33, and an old 60s Oktava.
\nMICROPHONE PRE-AMPS:<\/p>\n

API 312 (9), or Hamptone Tube (2), AEA TRP (2), Ampex (5×1). Plus, I have a bunch of various \u201clo-fi\u201d mic pres which can be fun.<\/p>\n

EQ:<\/p>\n

I have what\u2019s in the board (Soundcraft Ghost), API (2), Millenia (2), Orban (1).<\/p>\n

COMPRESSORS:<\/p>\n

Locomotive Audio 14B, Universal Audio 1176, LA-2A, Manley VariMu, DBX (assorted), Ashley, MXR, RNC.<\/p>\n

TIME BASED:<\/p>\n

Echo: Ibanez AD-202 (2), Digitech digital delay (don\u2019t laugh ~ it\u2019s cool!).<\/p>\n

Reverb: Klark Teknik DN780, Tapco spring reverb, a couple other old spring reverbs.<\/p>\n

Lot\u2019s of other weird effects and stomp boxes (plus a re-amp so they are all usable on a line-level track).<\/p>\n

RECORDING PLATFORMS:<\/p>\n

Tape:
\nOtari MX-80 2-inch 24 track (currently in storage).
\nOtari MX5050 MkIII 1\/2-inch 8 track.
\nTascam 1\/4-inch 4 track.
\nOtari 5050 1\/4 \u2013inch 2 track.
\nCassette 4-tracks (Tascam & Yamaha)
\nCassette decks (don\u2019t laugh. They have their uses.)<\/p>\n

Digital:
\nProtools with Apogee Symphony 16×16.
\nAlesis Masterlink 2 track.
\nZoom digital 2 track.<\/p>\n

INSTRUMENTS:<\/p>\n

Lot\u2019s of keyboards, amps, guitars, basses, banjo, uke, tiple, dulcimer, piano, organ, percussion, drums. These are available and intended to be used as long as they are taken care of.<\/p>\n

CLIENTS<\/h3>\n

M Ward, She & Him, Blitzen Trapper, Pancake Breakfast, Sallie Ford & the Sound Outside, Richmond Fontaine, Disney, Pigeons, Jolie Holland, Minus Fernando, Bright Eyes, Caleb Klauder, Foghorn String Band, Taylor Kingman, The Lost Brothers, Victoria Williams, Celilo. Tin Hat Trio, James Low, Stiff Wiff, Amelia, Old Joe Clarks, Brian Belknap, John Amadon (Qwee) , Charlie Maxton, William Downing, Alan Charing, The Neighborly Deeds, Klyde Konnor, The Mumbles, The Blivets, The Tanglebrains, + others…<\/p>\n

RATES<\/h3>\n

Services and rates:<\/em><\/p>\n

I offer different types of things depending on what is needed for your project. Blue Rooms hourly rate is $45 and sessions can be as short as a couple hours.<\/p>\n

That gets you:
\nMe engineering
\nThe studio
\nAccess to  instruments.<\/p>\n

Blue Rooms is my personal and professional studio . It\u2019s awesome and vibey but not perfect for every situation. I don\u2019t do loud projects at Blue Rooms as it is in a residential neighborhood.  I also freelance at other studios (or your rehearsal space, etc.) as an engineer, producer and\/or player. Rates for this vary with the situation.<\/p>\n

Contact me with any other questions –  I\u2019m very flexible and really just like being creative and having fun with the process.<\/p>\nngg_shortcode_0_placeholder<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Blue Rooms offers a relaxed and creative sound environment in Portland, Oregon GEAR MICROPHONES:Dynamic microphones: I use the he usual SM-57, 58s, SM-7, Sennheiser 421, Beyer M-88, Altec, Sony, lo-fi, etc\u2026 Condensers: Neumann CMV-563 w\/ M-7 & M-55k capsules. This gets used a bunch. Also have an AKG-414, AT-4033, 4041, 4050, a CAD Equitek E-300.…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-21","page","type-page","status-publish","hentry","empty-entry-meta"],"_links":{"self":[{"href":"https:\/\/mikecoykendall.com\/site\/wp-json\/wp\/v2\/pages\/21","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mikecoykendall.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mikecoykendall.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mikecoykendall.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mikecoykendall.com\/site\/wp-json\/wp\/v2\/comments?post=21"}],"version-history":[{"count":8,"href":"https:\/\/mikecoykendall.com\/site\/wp-json\/wp\/v2\/pages\/21\/revisions"}],"predecessor-version":[{"id":163,"href":"https:\/\/mikecoykendall.com\/site\/wp-json\/wp\/v2\/pages\/21\/revisions\/163"}],"wp:attachment":[{"href":"https:\/\/mikecoykendall.com\/site\/wp-json\/wp\/v2\/media?parent=21"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}